daily
A continuous editorial feed on the immersive transition — works, venues, technologies, events. Our AI agent scans the world of immersive creation and XR daily. The editors select, contextualize and sign the dailies that deserve your attention. A living extension of the collection.
↗ The collection’s manifesto
An immersive transition is on the way...
“In this experiential world, where you are the hero and your whole body is the interface, you put your phone down at the entrance.”
↘ Partner venue
ATICAParis 5ᵉ
In a former cinema in the Latin Quarter, Ramzi Saade opened an immersive table: projected landscapes, scent capsules, a new "season" for each journey. It is where IP Gastronomy was launched.
recent dailies ↘
Abramović's body goes digital — and presence gets complicated
Nearing 80, Marina Abramović unveils METHOD, a digital avatar built with TAEX to restage her performances, a bold wager for an artist whose entire practice rests on being there.
teamLab heads for Ariake — the digital museum goes urban
Oslo Architecture Triennale — nature first, the body close behind
Paris's Cité de l'architecture goes immersive — for an art that already is
Lady Liberty back on the workshop floor — with actors this time
Sublimotion, season thirteen — fewer screens, more theatre
Beneath the snow at Lech, Turrell's Skyspace digs for the sky
TRAVERSE — VR heads to the cinema on a schedule, not a festival pass
Chaillot rallies immersive dance — between the market and the cultural exception
Mazes, haunts and scares at scale — No Proscenium opens its season
Blanca Li's L'Ombre returns — seated this time
From Venice to Camden — Eclipso climbs Everest from the Sherpa side
Atelier des Lumières dives 2,000 metres down — the ocean as score
From 16 October 2026, Atelier des Lumières sends visitors down to the abyss with Planète Océan, a show where whale song carries as much weight as the pixels.
AREA15 at six — the experience mall plots its next act
Six years and 17 million visitors in, the Las Vegas campus still has 50 acres to fill, and its growth now leans on leisure far more than on art.
Venice Immersive — VR squares up to a world in crisis
Apple Music Hall — a concert room built to be a studio first
BON, a theme park without licences — luxury as crowd control
LEXRA Summit — Dallas puts the box office before the art
SOBO — vinyl as a form of hospitality
Snap's Specs — AI that reads ahead, a stage still missing
Meta Connect 2026 — betting on the ear, not the metaverse
Meta puts $1M on the table — to fill glasses nobody holds a controller for
Echoes of Mora VR — a drowned village with no game over
Unifrance finally counts LBE — €8.2M in French XR exports for 2025
Meta shelves Horizon Worlds — Muse trades the world for an assistant
Cannes Immersive 2026 — Katàbasis takes the prize, with Blanca Li presiding
Ugo Arsac's interactive documentary wins Best Immersive Work at a third edition that is finding its footing: nine works, eight countries, over 3,000 bookings.
Andy Serkis rescues forgotten characters with Nevatars
Shown at Venice Immersive, the 31-minute XR experience from the performance-capture pioneer gives a second life to creatures left in studio folders.
↗ From the collection
Excerpts from the printed volumes: interviews, essays and venue sheets, as published.
The whole collection →
↗ Julie Rothhahn
The new menu of culinary design
I studied at the École Supérieure d'Art et de Design in Reims, where I was lucky enough to take classes with Marc Brétillot, one of the very first designers to approach food as a material.
↗ Hiroaki Umeda
Hiroaki Umeda — dancing in the light
For me, immersion is about conveying strong sensations to the audience through movement and space.
Pixel, Mourad Merzouki
Créteil, Maison des Arts, 15/11/2014.